A charismatic serial killer embarks on a murderous cross-country road trip in search of true love.
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Chrissie and her friends set out on a road trip for a final fling before one is shipped off to Vietnam. Along the way, bikers harass the foursome and cause an accident that throws Chrissie from the vehicle. The lawman who arrives on the scene kills one of the bikers and brings Chrissie’s friends to the Hewitt homestead, where young Leatherface is learning the tools of terror.
A group of teenage girls heading into the city hook up with a gang of drug-addled ne’er-do-wells and are brutally murdered. The killers find their way to the home of one of their victim’s parents, where both father and mother exact a horrible revenge.
Laura is still waiting for Prince Charming at the age of 24. So when Sandro appears at a party, exactly like her Prince would in her dreams, she thinks she’s found the right one. But then again, when she meets Maxime, Laura starts to wonder if some Princes could be more charming than others? Of course Sandro has problems of his own : his father, Pierre, just bumped into Madam Irma at his father’s funeral and this reminded him of the date of his own death which Madame Irma had predicted ages ago. Now Pierre is unable to make any plans, not with his new partner Eleonore, nor with Sandro. And Maxime has his own problems, and so does Eleonore, Marianne, Jacqueline and many others. But don’t worry, in the end, they’ll all live happily ever after.
In 1964, a Catholic school nun questions a priest’s ambiguous relationship with a troubled young student, suspecting him of abuse. He denies the charges, and much of the film’s quick-fire dialogue tackles themes of religion, morality, and authority.
A family, Mateo, Monica and eight year old Sofia, move into a house on the outskirts of Lima. From the first night, the girl is haunted by a terrifying being. These harassments become every time more violent and disturbing, and soon enough will require the presence of a priest, who will try to help without imagining the consequences.